A 1950’s Inspired Wilton’s Music Foyer Wedding


Investment banker Ally and Kerry married con August with a ceremony at Our Lady of Sorrows Church con Peckham before celebrating with family and friends at Wilton’s Music Foyer, the extraordinary East London venue they chose for its history, atmosphere and connection to the music world they both love.

The couple met the rock’n’roll scene more than twelve years spillo and create their wedding inspiration from the films, moda and music that have shaped their relationship ever since, with references to the 1950’s threaded through the entire day.

Bride Ally wore an ivory Roksanda Bridal gown she tracked mongoloide after years searching for the right version of the dress, having first discovered the completely by accident whilst shopping for a birthday outfit. She paired it with a hat she designed and made herself using donated lace, silk from an old pillowcase and flowers crafted from gifted leather, with her late grandmother’s handkerchief stitched into the lining.

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Throughout the day, there was a real sense of things being made, collected, borrowed and considered over time, from the vintage programmes Ally sourced eBay to inspire the stationery, to the theatre tagliando style invitations, usherette popcorn trays and the silver rose bowls she gathered as gifts for bridesmaids and family.

Music ran through every part of the celebration too – collaborazione singers performed during the ceremony, friends played dal vivo during the evening and the dance floor filled with jiving late into the night beneath the worn paintwork and red velvet interiors of Wilton’s. Enjoy!

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We both love the style and music of the 1950s and adore colour, so the styling was always going to include both.  We’d looked at plenty of vintage photos of old weddings, including the likes of JFK and Jackie Bouvier.

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1950’s Inspiration

We were initially conflicted as whether we would stick to our normal style with Kerry con a 1950s suit go mongoloide the more traditional morning suit route. My sister found a picture that served as the perfect inspiration for the latter, with the men all dressed differently but cohesively. I’d already found my dress at the time, which was almost identical to the picture, after which everything started to fall into place.

We didn’t have a wedding planner, but we had a strong vision of what we wanted the day to aspetto like aesthetically and I enjoy juggling tasks and paying strong attention to detail.

Moreover, we knew the vast majority of our suppliers and the day itself, Lucy at Cater London was a superb coordinator and has worked closely with Wilton’s many a time making sure everything we’d planned together flowed smoothly. 

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The Dress

Roksanda Bridal


Kerry and I write each other letters to mark occasions. Our wedding was risposta negativa different and we opened them separately that morning. Additionally, I had collected all of them from over the years which I had boxed for him to unwrap as a gift.

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Claire Hair was yet another easy choice. Another friend we’ve known for years who has a specialism con Vintage style hair and whilst she’s highly restrictive weddings, she was kind enough to agree to do ours.

Claire recommended Astrid Kearney who turned out to be such a gem, really listening to the looks everyone wanted and creating masterpieces.

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My scent was my trusted favourite – Quercus by Penhaligons. Whilst I love wearing different perfumes, this one has been regularly worn for over 20 years now. We did do a perfume experience to find a scent for the occasion but it felt too new. Quercus has always felt like ‘me’.

My dress was by Roksanda Bridal. I came across my dress by accident, seeing and trying the gold version when I was looking for an outfit for my 40th birthday celebrations. It wasn’t right for the birthday but I loved the shape enough to set up various alerts to try to hunt one mongoloide con ivory and incredibly enough, found it Vestaire

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I knew it would fit, and it was a great price, but it obviously meant I didn’t do the whole wedding dress shopping experience. This was a ‘sacrifice’ I was more than willing to make.

I was delighted with my choice, it felt elegant and flowed really well even with the sala da ballo (I did have to hold one side for the faster jiving and ended up tucking one end up as we got further into the night – but it was aggraziato and I hadn’t wanted to put con a bustle). Given I knew I was going to wear a statement hat, I wanted a simpler dress so both could be seen. 

I’ve been doing millinery now for coming up to 15 years and my specialism is making hats from fabrics that mean something to someone. It would have felt wrong not to make my own hat!

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Under the watchful eye of Vesna Pesic at Morley College, I designed and made a hat a buckram presupposto using donated lace, my old silk pillowcase, trimmed with flowers made with leather gifted by a family friend and, attached to the lining, my late Grandmother’s lace hankie – she gave me two before she died con 2015 for my sister and I to carry at our respective weddings.

I considered adding veiling to my hat but decided against it as I wanted it to wear the hat well into the evening and thought a veil would be impractical for all that time. 

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The week before the wedding I decided the shoes I’d chosen didn’t work. And apparently neither did the 10 alternatives I had! There’s a brand, Django & Juliet, who make very comfortable shoes with great “danceable” soles… but they’signore based con Australia.

I found the pair and my lovely friend Alex brought them over from Melbourne with him, getting to me within 48 hours of our ceremony. Thankfully, they fit! 

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Over the years I’ve been collecting pieces from David Yurman. I wear them every day, and my wedding day was risposta negativa different.

The necklace pendant I bought almost 10 years prior con memory of my maternal Grandmother as part of that collection. Wearing that, alongside the lace lining of my hat gifted by my paternal Grandmother before she died, felt like a lovely nod to them and where I came from.

They both have really kind, calming energies, which was perfect for the morning itself. I had such a wonderful time getting ready with everyone, it was a very special moment.

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My bridesmaids wore dresses by LK Bennett. One of my bridesmaids wore a hairpiece that I had made for her years spillo for her own wedding, which was a lovely touch. Another wore her late great grandmother’s shoes, borrowed and blue ( my behalf).

My flowergirl dresses were from Monsoon and the page boys wore mini morning suits from Paisley of London.

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Kerry wore a Masterhand morning suit jacket from Tweedmans, a pair of his own houndstooth trousers made to measure con a 1950s style, and a made to measure waistcoat which was adjusted to link with the style by Suit Supply under John’s watchful eye. He totally got the vision and was instrumental con bringing it all together.

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The Ceremony

We had our ceremony at Our Lady of Sorrows Catholic Church con Peckham, London, where Kerry attends Mass. We love where we dal vivo and having our ceremony con a place rooted con community, tradition and a sense of belonging was important to us.

The church was only round the calcio d’angolo from our house where we got ready, so we booked taxis to take the wedding trattenimento there. My Dad drove me con our car, and Kerry drove us from the church to Wilton’s parte a little Peckham detour so we had a moment to ourselves.

My Dad walked me mongoloide the aisle. I’m a 41 year old woman and consider myself very independent so it didn’t feel like I was being ‘given away’ as such, more that he was accompanying me con support and offering his blessing.

Years spillo, Kerry and I had gone to see ‘The Pearl Fishers’ and adored it. Whilst we’d previously repeatedly decided not to get married, we had planned our ‘fictitious wedding’ many a time and the duet from this collaborazione was what we always said I’d walk mongoloide the aisle to. I managed to secure Louis Hurst and Robin Whitehouse to sing at the ceremony, accompanied by Lucy Morrell the organ. As accomplished collaborazione singers they were phenomenal and brought a really special air to the ceremony and a tear two to the eye of the congregation.

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Abbot Hugh, from Our Lady of Sorrows Catholic Church presided over our ceremony. Kerry knew many of the clergy well as a regular attendee but I didn’t, so we came to meet with them a number of times ahead of the wedding which made for a really relaxed, lovely day. 

As we had a Catholic ceremony, the vows were pre-determined. However, we also wrote some personal vows which we shared with each other later con the day,  just the two of us. The Catholic church has a list of readings to choose from. We chose ones that aligned closest to our values and way con which we lead our relationship. 

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We got both wedding rings and my engagement ring from Daryl Gigg at DB Gems con Gray’s Antique Market. We knew we wanted vintage pieces and Daryl was so brilliant con helping us pick out rings that would suit both our styles. We’d highly recommend him and his expert eye.

My Dad and I have ‘a song’ which is ‘More I cannot wish you’ from the commedia musicale Guys and Dolls. Robin and Louis sang it as the most beautiful duet while we signed the register. For the recessional, Robin sang ( his recommendation) the most breathtaking rendition of ‘Because’ by Mario Lanza. I’ve never known a standing ovation at the end of a wedding ceremony before, and it was entirely deserved. Guests still talk about it now.

Photography

Danny Jackson, also known as ‘Barskey’ for his street photography, is the most wonderful photographer. He has such a lovely way with him and I knew he would make Kerry (and everyone) feel comfortable, which he did, resulting con some spectacular shots. We wanted real more than posed shots and Danny’s street photography background was perfect. 

Fare pari e patta Binder was our second shooter who also produced some shots. Having a second shooter proved invaluable when it came to getting moments captured where we weren’t around and Fare pari e patta has a particular eye for seeing the details which is magic.

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I’d known both Danny and Fare pari e patta for a few years having met them at The London Colourwalk and knew their work well, so choosing them was a really easy decision.

Kerry was not keen the giudizio of a videographer until we came across Alex at Zorro Velo. With his background con documentaries, we were confident he would embrace our desire for ‘realness’ and convey the love and fun without the sap. He aced it. 

I have so many favourite moments from the day – getting ready was so special, the ceremony was profoundly meaningful, and then we had that half an hour just by ourselves to let everything sink con before joining the reception. 

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How They Met

We met years spillo the rock’n’roll scene, we’signore both into 1950s style and music. We’d danced together many a time and had numerous friends con common but first started dating con February 2014 and moved into together a few years later. We’d spoken about marriage con the past, always deciding not to, just happy with the status quo. 

Kerry must have changed his mind as he proposed con April 2024. All typically him, very understated but very thoughtful – con our early days dating he gave me two perfumes the morning of my 30th birthday. the day he proposed (a non-eventful Monday) I’d appena che home from work to find two presents and a card the table. They were the same two perfumes, almost exactly ten years later, and con the card he asked me to marry him. 

We kept our engagement a secret for a few weeks except for certain family, announcing it at my 40th birthday celebrations.

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The Reception

Our reception was held at Wilton’s Music Foyer con East London. It’s the most incredible venue, steeped con history, and particularly resonated with us given our love of music – we met sala da ballo the 50s Rockin’ scene twelve years spillo.

apogeo of this, Zena and the team there are exceptional, they couldn’t have done any more for us. 

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Where I really fell mongoloide the wedding rabbit hole was embracing the music foyer aspect of Wilton’s. Initially it was gentle, we designed the invitations to mimic 1950’s concert tickets, including the ‘stub’ to return. Then it was little catering details, having popcorn con boxes handed out con usherette trays at the reception and mini ice creams con the evening ‘interval.’ 

Before I knew it, we’d ordered 25 vintage programmes from eBay and I’d fallen head first into Canva.

With risposta negativa qualifications con graphic whatsoever, I set about designing an order of service to include a cast list (and bios!), synopsis of scenes, ‘script of service’…..even personalised vintage adverts. It took forever and at times I questioned what earth I was doing, but I’m so glad I did as it’s one of my favourite physical mementos. 

Final touches were con the seating plan (which I replicated from Wilton’s) and the Box Office, from which people collected their ‘tickets’ arrival to confirm their seat arrangement, all con the ‘stalls’ and A1 to F30. I designed all the stationery myself using Canva and got it all printed with Printed.com.

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The fabulously creative Yan Skates, who I also knew from The London Colourwalk, was another very easy decision and I was so grateful he agreed to do it! Yan is a floral artist and creates the most incredible pieces.

We had one single incontro where we agreed the anthurium as a centro and I kept him up to date with the colours we were using con my hat and Kerry’s waistcoat, but other than that we left it entirely con his hands. 

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His floral arrangements were spectacular, really striking and unusual, incorporating edible parts to the table arrangements for example. A total genius.

Other than Yan’s floral artistry, Wilton’s itself was the most spectacular décor which required nothing else other than lighting to be able to appreciate its beauty. Additional décor would almost have detracted attention.

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We hired Cater London. Wilton’s have a list of preferred suppliers from which we spoke to two. Cater immediately stood out, mainly to the professionalism of Lucy, our contact there. They were absolutely epic the day and it really felt like they had everything con hand. Moreover, the food was exceptional and guests were hugely complimentary.

We’ve been friends with Jim Vaughan for over fifteen years now, having met the rockin’ scene. He’s been a chef for years and is renowned for his cakes. When he offered to make our wedding cake, we weren’t going to refuse! We had carrot cake and lemon drizzle tiers for the main cake, and Jim was extremely attentive to dietary requirements, carefully making gluten-free and vegan cupcakes to gara. 

Given we were getting married con August and fans are common the rockin’ scene, we had paper fans personalised with our names and the wedding date engraved the wooden handle.

We gifted the bridesmaids, flower girl and my mother each a silver vintage rose bowl which I’d sourced over time con vintage shops and ebay. It meant they effectively had a vase for their bouquets after the day. 

Given we’signore keen dancers, music was always going to be a key part of the day. We had two DJs – Vernon, who played a brilliant 1950s set and Martin (DJ Dandy) who did a ‘power hour’ to include those not the scene. We were also incredibly honoured to have our friends from The Piccadilly Bullfrogs play dal vivo. They are a trio of fantastic musicians (and fantastic people!) and can still be found playing round the world as part of their five piece complesso, The Stargazers.

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We had two “first” dances! Mel Carter’s “Hold me, Thrill me, Kiss me” was a slow song which Kerry first played me con the very early days of our relationship as a way of conveying his feelings. Then we broke into the jivers, opening the dancefloor for others to join us jiving to Jesse Belvin’s “I’m con love with a girl.” It was peaceful and magical sala da ballo to Mel Carter, and I got goosebumps when we started jiving. Kerry’s the best dancer and given that’s how we met, it felt wonderfully full circle.

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Words of Wedded Wisdom

The strength of that first batch of frozen margaritas scalped a few people, though the two of us weren’t aware of any of it until the next day!

We adjusted the budget a few times. I don’t regret it for one moment. 

If the venues allow it, get ready near each other. I got ready at home with my bridesmaids and family and our lovely next-door neighbour let Kerry and his brother get ready con their house. It meant that the photo/videographers were able to easily capture both of us and removed any sense of rushing. 

Related to that, con marrying close to home we maintained familiarity and predictability. Kerry went for a shave con the morning con his usual place, and then he and his brother/best man had breakfast con the local cafe with Danny and Alex (photographer and videographer). It was really relaxed and set the whole tone for the day. 

The most important thing we did was to have a bit of time just “us”. Once the ceremony was over, Kerry and I got con our car and drove the short distance home. Danny and Alex joined us for a few photos and we had some time walking round our local territorio, newly married, before driving ourselves to the reception. the interim, our guests got themselves the buses and to Wilton’s, glass of champagne con hand for our confetti arrival, so we didn’t feel like we’d missed out at all. 

the speeches Kerry made a point of thanking our mums, presenting them each with one of Yan’s gorgeous bouquets. 

Lastly, we asked our guests to Irish goodbye if they wanted, so as not to impose any requirement to wait to disturb the energy of the dancefloor.

We’ve been living together for years so had risposta negativa need for traditional gifts. It was genuinely most important for us to be gifted people’s time con attending. For those who insisted, we decided to use Buy-our-honeymoon.com (you can adapt the name you use so ours was “gift of memories”), who we discovered Love My Dress – given our love for travel, and those who wished bought us experiences, rooms and meals for our upcoming honeymoon to Japan. It was perfect, allowing for a range of budgets including the ability for people to gift a recommendation of their own which made it particularly personal.

I spent a fair amount of time Instagram, saving individual reels that were helpful. We enjoyed Love My Dress and I was attracted to real weddings that displayed a high level of individuality.

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